
In the 1980’s, Ricky Skaggs set the
bar early on with an impressive string of #1 hits including the iconic Country Boy, while on the pop charts
Bruce Hornsby’s The Way It Is became
the most played record of 1987 and sent his debut album multi-platinum.
“Bruce and I met while he was at the top of his game
in the pop field and I was at the top of mine in the country field,” recalls
Skaggs. “We were on the same bill at a festival in upstate New York and at the end of my show he
introduced himself and asked me to sit in for a couple of songs during his set.
Fast forward a few years, I find this CD that Bruce had done called Hothouse, and on the cover was a
caricature of Bill Monroe and Charlie Parker. I just thought, man, what a funny
mind to put together this kind of dream band that you know he would have loved
to have played with.”
Skaggs was busily gathering artists at that time to
perform on a tribute album to the great father
of bluegrass, Bill Monroe.
“Bruce was the first guy to say yes. He showed up in
the studio and jumped right in with me and my band and it was effortless. I
remember listening to the playback in the control room and I turned to him and
said, ‘hey, if you’re ever up for doing a
whole record like this, I sure would be as well.’”

“A while ago I went back and listened to a number of
shows that we had recorded during that time,” Hornsby remembers. “I was so
excited by the quality and energy of the performances that I sent some roughs
to Ricky, who was equally excited and together we decided to put it out.”

“Obviously we wanted the best
performances that we could find from the whole band, but we also wanted
performances that weren’t on the original studio record. If you listen to that record it’s really more Hornsbyesque than it is bluegrass. It
was our first time in the studio to really put this thing together and we
didn’t know exactly what we were going to be doing, but when it got to the live
show we started adding more Bill Monroe music, more hard driving bluegrass, so
we kind of just made our decisions based on what we felt like would really make good listening.”
Hornsby and Skaggs have taken to the road once again
and while the evening set lists may remain more or less intact, the musical
arrangements are in a constant state of flux, offering a new and very different
experience at every show.
“We’re
having a ball,” Skaggs laughs. “Bruce loves to mix stuff up. Just the other
night I was a little out of tune and kind of touching up some strings on the
mandolin and it sounded almost like this exotic riff. Well, that’s all it took.
We just started jamming on something and made this weird kind of a Middle
Eastern -- it actually came out more Middle Eastern Kentucky I guess than anything
else -- but we loved it and that’s the thing about playing with Bruce. He loves
music, he loves to experiment with music and he’s always pushing the boundaries
for himself.”

“Ricky
is a very open-minded musician, interested in a broad range of music. It was
never a challenge collaborating with him. I don't do just one thing, and
neither does he, so it's easy to explore a lot of musical areas together.
He also generates some of the best mandolin chops I’ve ever heard.”
Currently
in its second month, the tour has traversed a large expanse of the country with
dates being added that will see Skaggs and Hornsby performing together well
into 2014.
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